意象折叠与庾信萧瑟诗风的生成  

Imagery Folding and the Creation of Yu Xin’s Bleak Poetic Style

作　　者：袁济喜[1] 但茜 Yuan Jixi;Dan Xi(School of Chinese Classics,Renmin University of China,Beijing,100872,China)

机构地区：[1]中国人民大学国学院,北京100872

出　　处：《郑州大学学报（哲学社会科学版）》2022年第6期76-81,125,共7页Journal of Zhengzhou University:Philosophy and Social Sciences Edition

基　　金：国家社科基金一般项目“魏晋重大事件与文学思潮走向研究”(项目编号:22BZWO14)

摘　　要：庾信是南北朝时由南入北的大文学家,杜甫诗称“庾信平生最萧瑟,暮年诗赋动江关”。由于庾信经历侯景之乱、江陵之变,羁留北朝,暮年诗赋也由早期的绮丽华艳转变为愀怆萧瑟。意象折叠与庾信萧瑟诗风的生成有着直接的关联。庾信通过这种手法,巧妙地表达了自己的身世处境与乡关之思,创作出了优秀的诗赋作品。从意象折叠的维度去透视庾信诗赋的成就与特色,对于庾信研究的推进有重要的启发作用。Yu Xin was a great literary scholar migrating from the South to the North during the Northern and Southern Dynasties(420-589).The famous poet Du Fu once said that,“Yu Xin’s life was the most miserable,yet the poems he wrote in his later years became a national sensation”.As Yu Xin experienced the Rebellion of Hou Jing and the Change of Jiangling,he was detained in the northern dynasty,and his poetic style changed accordingly from gorgeous and flamboyant style in the early years to bleak one in his later years.The imagery folding is directly related to the creation of Yu Xin’s bleak poetic style.Through this technique,YU Xin skillfully expressed his own life experience and nostalgia and created excellent poetic works.It is important for the advancement of Yu Xin’s research to look at the achievements and characteristics of his poetry from the dimension of imagery folding.

关 键 词：庾信暮年 乡关之思 意象折叠 创作方法 

分 类 号：I207.22[文学—中国文学]