知性写作的美学与小说疆界拓展的限度——从《应物兄》说起  

The Aesthetics of Intellectual Writing and the Limits of the Frontiers of Fiction: Starting From Yingwu Xiong

作　　者：王宏图[1] Wang Hongtu

机构地区：[1]复旦大学中国语言文学系,上海200433

出　　处：《中国文学批评》2021年第2期12-18,157,共8页Chinese Journal of Literary Criticism

摘　　要：李洱的《应物兄》在总体上呈现出知性写作的美学风貌,它采用了杂语体的叙述方式,将大量的知识展示、思想剖析和学理探讨的元素融合在文本中,给人以百科全书式的广阔视野。他的这一写作追求与昆德拉的小说应成为智慧的最高综合的设想一脉相承。这一尝试突破了小说的传统边界,但也有其限度。如何保持知性展示与小说叙述间的平衡,是作家无法回避的挑战。Li Er’s Yingwu Xiongrepresents the aesthetics of intellectual writing in general.It adopts a miscellaneous narrative style and combines a large number of elements of knowledge display,ideological analysis and theoretical discussion in the text,giving itself an encyclopedic and broad vision.This pursuit of Li Er’s writing is in line with Milan Kundera’s vision that fiction should be the highest synthesis of wisdom.This attempt breaks through the traditional boundaries of fiction,but it has its limits.How to maintain the balance between intellectual presentation and fictional narration is a challenge that a writer cannot avoid.

关 键 词：李洱 知性写作 杂语体叙述 话语狂欢 限度 

分 类 号：I207.425[文学—中国文学]