“德”对“美”的疏离——影片《百鸟朝凤》的悲剧性论析  

The Alienation of “Virtue” from “Beauty”:A Tragic Analysis of the Film the Song of the Phoenix

作　　者：徐大威[1] Xu Dawei

机构地区：[1]辽宁师范大学文学院,辽宁大连116081

出　　处：《中国美学研究》2020年第2期237-248,335,共13页

摘　　要：影片《百鸟朝凤》以其反讽结构揭示了传统艺术消亡与匠人文化权力欲望之间的矛盾,指出中国传统艺术不是死于时代,而是死于老艺术家所固守的"规矩",从而在根本上缺失了开拓创新的艺术精神。这种艺术精神缺失背后所揭示的是中国传统文化中根深蒂固的"德"对"美"的疏离而导致了艺术的异化与死亡,这正是影片的悲剧性之所在。The film the Song of Phoenix reveals the contradiction between the demise of traditional art and the cultural power desire of craftsmen with its irony structure,and it points out that Chinese traditional art does not die of the times,but die of the"rules"adhered by the old artists,thus fundamentally lacking the pioneering and innovative spirit of art.What is revealed behind this lack of artistic spirit is that the deep-rooted alienation of"Virtue"from"beauty"in Chinese culture leads to the alienation and death of art,which is exactly the tragedy of the film.

关 键 词：《百鸟朝凤》 文化权力欲望 德对美的疏离 艺术的异化 

分 类 号：J905[艺术—电影电视艺术]