琴弦人生——四川巴塘弦子传承人扎西的人生史  

Life of strings:The Life History of Tashi,the Successor of Batang’s Xianzi

作　　者：洛桑次仁 Lobsang Tsering(School of Ethnology and Sociology,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学民族学与社会学学院,北京100081

出　　处：《西藏研究》2020年第3期134-142,共9页Tibetan Studies

基　　金：教育部人文社会科学重点研究基地重大项目“中国西部民族地区宗教舆情与监测研究”(项目编号:16JJD850018)阶段性成果

摘　　要：弦子艺术是藏族民间歌舞文化的艺术瑰宝,是集歌、舞、词、器、乐为一体的一种民间艺术形式,尤其在青藏高原东缘的康区流行最盛。其中,巴塘弦子因历史悠久、底蕴深厚也被赋予"弦子之乡"的美誉。艺人扎西作为巴塘弦子的非遗传承人,是巴塘弦子发展的亲历者,也是传承其艺术文化的实践者。对巴塘弦子艺人扎西进行访谈调查,旨在呈现其传承人的知识经验、技艺传承以及发展创新,从而说明对于人类学而言,激发文化实践者的主体性是保护和发展丰富多彩文化的重要动力。String art,a form of folk art that integrates song,dance,words,instruments,and music,is an artistic treasure of Tibetan folk song and dance culture.It is especially popular in the Kang District on the eastern edge of the Qinghai-Tibet Plateau,among which,Batang Xianzi has been given the reputation of"Hometown of Xianzi"due to its long history and profound heritage.The artist Tashi,a non-genetic inheritor of Batang Xianzi,is a witness of the development of Batang Xianzi and a practitioner who inherits its art and culture.This paper hopes to present these inheritors’knowledge,experience,skills inheritance and development and innovation through interviews with Batang Xianzi artist Tashi,so as to show illustrate that inspiring the subjectivity of cultural practitioners is the significant motivation to protect and develop a rich and colorful culture in the sense of anthropology.

关 键 词：巴塘 弦子 毕旺琴 生活史 传承人 

分 类 号：K825.76[历史地理—历史学] J722.7[艺术—舞蹈]