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作 者:斯特凡诺·布鲁萨波奇 帕梅拉·梅耶扎 谢书宁(译) Stefano Brusaporci;Pamela MaiezzaTrans;Xie Shuning
机构地区:[1]意大利拉奎拉大学土木、建筑-建造和环境工程系 [2]加拿大瑞尔森大学
出 处:《数字人文研究》2022年第3期50-60,共11页Digital Humanities Research
摘 要:文章的主要目的是介绍如何运用3D模型和增强现实技术(AR)来研究、交流建筑和城市的价值,并且发展专门形式的“智慧遗产”。这项研究源于对“遗产”概念的反思,许多文献将其定义为一个不断发展的概念,且将有形与无形两方面结合起来。此外,数字技术有利于发展“实体数字化”应用,即以数字维度支持传统维度。在这种方式下,AR技术可以将多媒体信息叠加到遗产上,尊重文物的历史物质性,并支持“智慧遗产”的应用。特别是,移动AR技术可通过实时和全景式可视化,提供了展示过去的城市和建筑配置的机会,以探查和描述怎样的变故导致了目前的形态,从而凸显建筑物当前的历史和建筑价值。文章提供了两个具体案例研究:意大利圣巴西利奥修道院广场及其历史变革,与在“塞莱斯蒂尼亚宽恕庆典”仪式中至关重要的五月山圣母堂。The aim of this paper is to present the use of 3D models and augmented reality(AR)to study and communicate architectural and urban values and, therefore, favor the development of dedicated forms of “smart heritage”.The study rises from a reflection on the concept of “heritage”,as defined in the international documents, intended as an evolving idea that puts together tangible and intangible aspects.Moreover, digital technologies favor “phygital” applications where the digital dimension support the traditional ones.In this way, AR allows the superimposition of multimedia information to heritage, respecting the historical matter of the artefacts, and supporting a “smart heritage” application.In particular, mobile AR,with real-time and ubiquitous visualizations, offers the opportunity to show past urban and architectural configurations to investigate and describe the transformations that have led to the current configuration, and consequently highlighting the present historical and architectural values of the buildings.Two case studies are presented: the square of St.Basilio Monastery, with its historical transformations, and the Basilica of Collemaggio, a pivotal building in the rites of “PerdonanzaCelestiniana”.
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