“张文贵传”民间叙事形态研究  

Narrative Morphology Study on “Biography of Zhang Wengui”

作　　者：范丽敏[1] Fan Limin(College of Liberal Arts,University of Jinan,Jinan Shandong,250022)

机构地区：[1]济南大学文学院,山东济南250022

出　　处：《山东师范大学学报（社会科学版）》2022年第5期78-92,共15页Journal of Shandong Normal University(Social Sciences)

基　　金：国家社会科学基金项目“明成化刊本说唱词话跨文本文献整理与研究”(20BZW065)的阶段性成果

摘　　要：民间叙事的本质特征是模式化,此“模式化”以小大、浅深的不同可分为三个层次:母题、(情节)模式、(叙事)结构。以明成化刊本说唱词话《张文贵传》及其系列同题文本为例,从“山贼”母题之形成、“灰小伙”情节模式之播散、“解厄”结构的文化艺术超度功能三个方面对俗文学文本叙事的源流、特点、内涵与功能进行探讨,可以见出母题只有融入有生命力的情节模式才能成为真正的“母题”,而情节模式具有层垒性和稳定性,民间叙事的深层结构在于在“功能”上与文化具有同构关系,文化具有疗救作用,文学艺术亦是如此。因此,对于民间叙事的研究是实现文化(基因)传承与记忆的一个组成部分。The essential feature of folk narrative is patternization,and patternization can be classified in size and depth into three levels:motif,(plot)mode and(narrative)structure.Taking Biography of Zhang Wengui(a versed novel in the reign of Chenghua of the Ming Dynasty)and a series of texts with the same topic as an example,the paper discusses the origin,characteristics,connotation and function of popular literary texts in three aspects:formation of“mountain thief”motif,dissemination of“grey guy”plot mode,and releasing function of culture and arts of the“solution”structure.It can be seen that only when blended into a vigorous plot mode,can a motif become a real motif,while plot mode has layers and stability,and the deep structure of folk narrative has an isomorphic relation with culture in“function”.Culture has a healing and life-saving function,and so do literature and art.Therefore,the study of folk narrative is an integral part of realizing the cultural(gene)inheritance and memory.

关 键 词：“张文贵传” 民间叙事 “山贼”母题 “灰小伙”情节模式 “解厄”结构 

分 类 号：I207.7[文学—中国文学]