敦煌莫高窟第275窟东壁残画内容试析  

The Residual Paintings on the East Wall of the Dunhuang Cave 275

作　　者：赵蓉[1] Zhao Rong(Dunhuang Academy)

机构地区：[1]敦煌研究院

出　　处：《丝绸之路研究集刊》2020年第1期376-393,483-484,共20页Journal of the Silk Road Studies

摘　　要：敦煌莫高窟第275窟东壁门南保留有一方残损的壁画,是1991年因保护加固需要,在搬迁、剥离第275窟隔墙及连带的上层壁面时方始显露。1 2011年出版的《莫高窟第266—275窟考古报告》对此进行了详细记录,并判断为此窟的第二层壁画。2由于壁面破损严重,依稀可辨画面中绘有山水楼阁人物。3梅林曾在"2004年石窟研究国际学术会议"上发表论文4,首次描述其现状和内容并进行了定名、定性以及绘制时间的推测。On the east wall of Cave 275,in the Dunhuang Mogao Grottoes,there are the ruins of a mural which is square in composition and depicts a pavilion.In it are 21 figures,monks,each one with an identifying inscription.This article recognizes and analyzes the different motifs and styles which compose the whole painting.A depiction in the manuscript S.797 highly corresponds to the layout of the mural.The manuscript describes Buddhist monastic discipline and narrates the procession of how to attain full status as a monk.It is concluded,therefore,that the mural reflects the ritual of Buddhist monastic discipline and its purpose is possibly to memorialize some eminent monks or strengthen the dhammagutta in the cave.

关 键 词：考古报告 敦煌莫高窟 绘制时间 保护加固 国际学术会议 石窟 壁画 

分 类 号：K879.41[历史地理—考古学及博物馆学]