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作 者:刘婷[1] 王喆 LIU Ting;WANG Zhe
机构地区:[1]中南民族大学民族学与社会学学院,湖北武汉430074
出 处:《青海民族研究》2022年第2期7-12,共6页Qinghai Journal of Ethnology
基 金:国家社科基金重点项目“近现代少数民族先贤名人爱国情怀研究”(批准号:20AMZ004)阶段性成果
摘 要:端午节是中国传统四大节日之一,端午文化是中华优秀传统文化的典型代表。近代,中国社会处于转型时期,传统文化经历了解构、重构的历程,端午文化也未幸免。在其解构、重构的过程中,逐渐形成以“爱国主义”为核心主题的“端午文化空间”。本文在绘出近代以前端午文化系统的基础上,剖析了近代端午文化解构的全过程,厘清端午文化空间“爱国主义”主题形成的历史过程,最后得出近代以来端午文化空间重构的“爱国主义”历史逻辑。The Dragon Boat Festival is one of the four traditional Chinese festivals,which is a typical representative of the excellent traditional Chinese culture.In modern times,Chinese society is in a period of transformation,and traditional culture has undergone a process of deconstruction and reconstruction,the Dragon Boat Festival culture has not been spared.In the process of deconstruction and reconstruction,the"Dragon Boat Festival cultural space"with"patriotism"as the core theme is gradually formed.On the basis of drawing the cultural system of the Dragon Boat Festival before modern times,this paper analyzes the whole process of the deconstruction of the modern Dragon Boat Festival culture,clarifies the historical process of the formation of the theme of"patriotism"in the Dragon Boat Festival cultural space,and finally draws the historical logic of"patriotism"in the reconstruction of the Dragon Boat Festival cultural space since modern times.
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