“破碎感”与“虚幻感”——法国作家电影剧作特征研究  

Sense of“Fragmentation”and“Ilusion”:The Characteristics of the French Writers'Film Plays

作　　者：季毅 Ji Yi(School of Humanities at Guizhou University of Engineering Science)

机构地区：[1]贵州工程应用技术学院人文学院

出　　处：《世界文学评论（高教版）》2024年第2期33-35,共3页The World Literature Criticism

摘　　要：法国作家电影是新浪潮运动的重要组成部分,其剧作特征对后世影响深远。本文将法国作家电影的剧作特点概括为“破碎感”和“虚幻感”。“破碎感”指的是二战后法国作家电影中人物的支离破碎人生和整体影片语言、台词的凌乱散碎。“虚幻感”指的则是法国作家电影选择的人物通常具有迷茫、厌世等情绪,进而导致影片主题极具“虚幻”性。The films of French writers are an important component of the New Wave movement,and their theatrical features have had a profound impact on future generations.This article summarizes the characteristics of French author films as“a sense of fragmentation”and“a sense of ilusion”.“Fragmentation”refers to the fragmented lives of characters in French writers'films after World WarlI,as well as the overall chaotic language and lines in the film.“Unreal feeling”refers to the fact that the characters chosen by French writers in their films often have emotions such as confusion and disgust with the world,leading to a highly“illusory”theme in the film.

关 键 词：法国作家电影 叙事 情节 

分 类 号：J905[艺术—电影电视艺术]