另一种大连的城市书写——清冈卓行《槐花盛开的大连》中的城市叙述  

Another City Writing of Dalian——The Urban Narrative in Dalian Under the Acacia Trees

作　　者：王春蕾 Wang Chunlei(College of Chinese Language and Literature,Wuhan University)

机构地区：[1]武汉大学文学院

出　　处：《世界文学评论（高教版）》2023年第1期109-113,共5页The World Literature Criticism

摘　　要：作为日本返迁文学中的代表作品,清冈卓行的《槐花盛开的大连》从个体视角还原历史现场中的殖民二代心理,使其兼具文学和历史意义。在同一城市空间下,《槐花盛开的大连》将日本殖民者享乐与中国劳动者苦难的双重生存境遇并置,使大连殖民历史与中日居民身份凝结在建筑、洋槐林等城市意象空间中。伴随日本战败,大连地区的权力结构和意识形态也发生转变,以清冈卓行为代表的一批殖民二代对于大连的“地理定位”“政治定位”“情感定位”在个体层面发生错位,从而使他们产生对“大连”从“故乡”到“异乡”的人地情感撕裂。文中以洋槐为代表的风景描写隐含其个体情感,使其在展现洋槐之美的同时,倾诉个体与城市的情感纠缠与战争伤痛。As a representative work of Japanese repatriation literature,Takuyuki Kiyooka's Dalian Under the Acacia Trees(1969)restores the psychology of the second colonial generation in the historical scene from an individual perspective,making it of both literary and historical significance.In the same urban space,Dalian Under the Acacia Trees juxtaposes the double living conditions of the enjoyment of Japanese colonists and the suffering of Chinese laborers,so that the colonial history of Dalian and the identity of Chinese and Japanese residents are condensed in the urban image space such as architecture and acacia forest.With Japan's defeat,the power structure and ideology in the Dalian area is changed.The“geographical positioning”,“politial positioning”and“emotional positioning”of Dalian were dislocated at the individual level by a group of the second generation of colonies represented by Kiyooka Takuxing,which made them tear the human and local emotion of Dalian from“hometown”to“foreign land”.The description of the landscape represented by acacia implies its individual emotion,which makes it express the emotional entanglement and war pain between individuals and cities while showing the beauty of acacia.

关 键 词：《槐花盛开的大连》 城市空间 清冈卓行 返迁文学 

分 类 号：I313.074[文学—其他各国文学]