倒置真实:《幕间》戏中戏结构研究  

Inverted Reality:A Study of the Play-within-a-Play Structure in Between the Acts

作　　者：张乐 范家瑜 舒凌鸿[1] Zhang Le;Fan Jiayu;Shu Linghong(College of Literature,Yunnan University;School of Foreign Languages of Yunnan University)

机构地区：[1]云南大学文学院 [2]云南大学外国语学院

出　　处：《世界文学评论（高教版）》2023年第1期59-63,共5页The World Literature Criticism

基　　金：云南大学省级创新训练项目“伍尔夫对意识流文学创作的丰富与发展:以《达洛维夫人》《到灯塔去》《幕间》为例”(项目编号:S202110673062)的阶段性研究成果

摘　　要：《幕间》是弗吉尼亚·伍尔夫的最后一部作品。整部作品如一个寓言,具有高度的象征性。在《幕间》中,除了意识流技巧的运用,还呈现出在小说里鲜见的戏中戏结构。戏中戏结构指在一部戏剧中内置一个或多个层面的戏剧,《幕间》中的戏中戏结构具有两个层面:一层是外显的,由露天历史剧及波宅生活构成;一层是潜藏的,由言语和意识构成。戏中戏结构将人们观念中的真实与虚构倒置,这种倒置传达出伍尔夫的历史观:历史是不断循环的。As Virginia Woolf's last work,Between the Acts is a highly symbolic work as an allegory.In addition to the use of masterful stream-of-consciousness skills,Between the Acts also presents a rare structure,which is called the Play-within-a-Play,embedded with one or more layers of performance.The Play within-a-Play structure in Between the Acts has two levels:one is explicit,composed of the open-air English history play and people's life in Pointz Hall;the other one is implicit,consisting of words and consciousness.This structure inverts fiction and the truth accepted by the public.And this inversion conveys Woolf's conception of history:history keeps going in circles.

关 键 词：《幕间》 戏中戏 虚构 

分 类 号：I561.074[文学—其他各国文学]