恼怒的救赎:《唱吧!未安葬的魂灵》中美国黑人女性的恼怒情感  

The Redemption of Irritation:The Irritation Feeling of the American Black Woman in Sing,Unburied,Sing

作　　者：孙麟 汪小玲[2] Lin Sun;Xiaoling Wang(School of English Studies,Shanghai International Studies University,Shanghai,China;College for International Cooperative Programs,Shanghai International Studies University,Shanghai,China)

机构地区：[1]上海外国语大学英语学院,上海201620 [2]上海外国语大学培训部与海外合作学院,上海200083

出　　处：《外国语言与文化》2022年第2期50-58,共9页Foreign Languages and Cultures

基　　金：国家社科基金项目“当代美国少数族裔小说中的负情感问题与情感共同体研究”(20BWW061);上海外国语大学校级重大项目“种族·性别·后工业—美国现当代文学中的负情感书写与平权文化软实力研究”(2018114028);中央高校基本科研业务费资助(2021114020)

摘　　要：美国非裔女作家杰丝米妮·瓦德在《唱吧!未安葬的魂灵》中刻画了一位遭受严重精神创伤、罹患负情感的黑人女性莱奥妮。被恼怒这一负情感裹挟的莱奥妮在生活琐事上动辄怒不可遏,却在事关种族主义和社会正义等原则问题上丧失了应有的敏感。文章从莱奥妮的恼怒情感出发,结合负情感理论和生成文学思想对其进行解读,并由此发现恼怒源于美国的困境,它既是该困境的镜像,也是该困境的救赎。瓦德也从回归问题本原与调和价值关系两方面对走出该困境的终极路径作了深入的思考。Jesmyn Ward,an African American woman writer,presents a black woman named Leonie who suffers from severe psychological trauma and ugly feelings in Sing,Unburied,Sing.Trapped by one of these ugly feelings-“irritation”,Leonie is easily enraged by daily trifles,but seems to have lost her sensitivity to such matters of magnitude as racism and social justice.By employing the theory of“ugly feelings”and the thought of“becoming-literature”,this paper interprets Leonie’s“irritation”and comes to the conclusion that,deriving from“the American dilemma”,“irritation”is not only the mirror of the dilemma,but also the redemption of that dilemma.Besides,Ward takes in-depth thought into the ultimate way to solve“the American dilemma”in terms of returning to its origin and reconciling different interests within it.

关 键 词：《唱吧!未安葬的魂灵》 恼怒 美国的困境 美国黑人女性 

分 类 号：I712.074[文学—其他各国文学]