加里·斯奈德《大棕熊经》的后现代性  

The Nature of Post-modernity of Gary Snyder’s Smokey the Bear Sutra

作　　者：罗坚[1] Jian Luo(Foreign Studies College,Hunan Normal University,Changsha,Hunan,China)

机构地区：[1]湖南师范大学外国语学院,湖南长沙410081

出　　处：《外国语言与文化》2019年第4期43-52,共10页Foreign Languages and Cultures

基　　金：国家社会科学基金项目“加里·斯奈德研究”(14BWW055)阶段性成果.

摘　　要：作为深层生态主义的桂冠诗人,加里·斯奈德的诗学定位在学界一直模糊不清。本文以斯奈德的《大棕熊经》为焦点,从斯奈德所持的文化态度,对新文化的探寻及新神话的创造等方面展开论述,明确划定了斯奈德诗歌的后现代性,并对其作品的文学与文化意义予以阐发。As the poet Laureate of Deep Ecology,Gary Snyder’s poetics position has always been blurred in the academic field.From the perspective of Snyder’s cultural attitudes,this paper takes Smokey the Bear Sutra as the focus,and makes a discussion about the exploration of new culture,the creation of new myths and other aspects so as to clearly delineates the post-modernist nature of Gary Snyder’s poetry and elucidates the literary and cultural significance of his works.

关 键 词：后现代性 禅宗 《大棕熊经》 

分 类 号：I712.072[文学—其他各国文学]