沃尔皮蛇舞仪式——《来自北美普韦布洛印第安部落的图像》(1923)讲座节选  

Walpi Snake Dance——Excerpts from Lectures on Images from the Region of the Pueblo Indians of North America(1923)

作　　者： 王凡柯(译) Aby Warburg;Wang Fanke

机构地区：[1]不详 [2]厦门大学外文学院欧语系

出　　处：《当代舞蹈艺术研究》2022年第4期113-118,共6页Contemporary Dance Research

基　　金：国家社会科学基金青年项目“瓦尔特·本雅明早期思想研究(1914—1924)”(项目编号:22CWW002)阶段性研究成果

摘　　要：文章系德国艺术史家阿比·瓦尔堡于1923年4月21日在瑞士克罗伊茨林根(Kreuzlingen)镇贝尔维尤(Belle-Vue)疗养院进行的一场关于印第安人蛇舞仪式(Snake Dance)讲座的演讲文本节选。讲座以瓦尔堡美洲之行的视觉图像为内容,讲述了北美普韦布洛(Pueblo)印第安人地区的历史地理环境和宗教文化信仰,并将印第安人文化中“蛇”作为象征符号的意图,以及“蛇舞仪式”的原始巫术行为解释为人类的原始记忆与恐惧反应。在瓦尔堡思想中,原始巫术文化始终被视为一种古代异教信仰的遗存。通过对原始人类文明的“遗存”研究,瓦尔堡不断将其引入一个更宽阔的领域,即对文艺复兴时期人类情感表达的历史心理学研究。This article is the text of a lecture on the Snake Dance ceremonial of Pueblo Indians given by the German art historian Aby Warburg on April 21,1923 at the Belle-Vue sanatorium in Kreuzlingen,Switzerland.Based on the images of Warburg’s journey to the Americas,the lecture described the historical and geographical environment,as well as religious and cultural beliefs of the Pueblo Indians in North America.Meanwhile,the intention of the“snake”as a symbol in American Indian culture and the primitive witchcraft“snake dance”were interpreted as the primitive memory and fear response of human beings.In Warburg’s thinking,the primitive witchcraft culture is always regarded as a kind of survival of ancient pagan beliefs.Through the study of the“Nachleben”of primitive human civilization,Warburg continued to introduce it into a broader field,the study of historical psychology of human emotional expression in the Renaissance.

关 键 词：视觉档案 蛇舞仪式 巫术 异教传统 

分 类 号：J702[艺术—舞蹈]