安塞尔姆·基弗“新抽象”视觉艺术对传统母题的回归  

Anselm Kiefer's“New Abstract”Visual Art's Return to the Traditional Motif

作　　者：李培 Li Pei(College of Liberal Arts,Shanghai University)

机构地区：[1]上海大学中国语言文学流动站

出　　处：《美学与艺术评论》2022年第2期117-131,280,共16页Journal of Aesthetics and Art Review

摘　　要：德国当代新表现主义大师安塞尔姆·基弗采用了返回西方传统母题的方式,对神话、人物和风景母题进行了重新创作。他的复古不是效仿西方古典绘画的制去式去创造完美具体实在的形象,而是主要采用了“多重”和“循环”式样的叙事方式,这打通了其与德国文化语境和当代德国社会的多样化联系,并赋予那些掩埋在现代主义潮流中的具体形象多样化和延续性的意义与阐释空间。伴随视觉艺术作品结构的变化,他的作品显示出了具有无限阐释性和生命性特色的“新抽象”表现样态,其对世界范围内视觉艺术传统的继承与创新都具有一定的参考价值。Anselm Kiefer,a contemporary German Neo expressionist master,used the way of returning to the western traditional motif to recreate the motif of myth,characters and scenery.His retro style is not to imitate the system of Western classical painting to create a perfect concrete image,but mainly adopts the narrative mode of“multiple”and“cycle”,which opens up its diversified links with the German cultural context and Contemporary German society as well as endows those specific images buried in the trend of modernism with the significance and interpretation space of diversification and continuity.With the change of the structure of visual art works,his works show a“new abstract”expression with infinite interpretive and vital characteristics,which has a certain reference value for the inheritance and innovation of visual art traditions around the world.

关 键 词：传统母题 视觉艺术 安塞尔姆·基弗 多重 循环 

分 类 号：J205[艺术—美术]