诗歌辩证法:巴迪欧论帕索里尼的《胜利》  

Poetic Dialectics:Badiou on Pasolini's"Victory"

作　　者：艾士薇[1] Shiwei AI(Wuhan University)

机构地区：[1]武汉大学文学院

出　　处：《马克思主义美学研究》2022年第1期195-212,370-371,共20页Research on Marxist Aesthetics

基　　金：国家社科基金重大项目“人类命运共同体视域下的21世纪西方激进左翼文论批判研究”(20&ZD290)阶段性成果

摘　　要：帕索里尼是意大利当代最知名的导演之一,也是演员、剧作家、小说家和诗人。然而,闻名世界的导演身份掩盖了他作为诗人的辉煌。阿兰·巴迪欧不仅关注到帕索里尼的诗人身份,还意识到其诗歌创作的事件性。他以否定、毁坏与减法作为阅读帕索里尼《胜利》的起点,探讨诗作中敌与我、“父与子”、暴力与自由的辩证关系,进而提出解决当下困境的方法。Pasolini is one of the most famous contemporary Italian directors,also an actor,playwright,novelist and poet.However,his status as a director eclipsed his brilliance as a poet.Alain Badiou not only focuses the poet status of Pasolini,but also realizes the eventness of his poetic creations.He considers the negation,destruction and subtraction as the starting points of reading Pasolini's“Victory”,explores the dialectical relation between friend and foe,“father and son”,violence and freedom in his poetry,then proposes a method to solve the current dilemma.

关 键 词：巴迪欧 帕索里尼 诗歌 事件 辩证法 

分 类 号：I546.072[文学—其他各国文学]