作为事件的卡拉瓦乔:巴迪欧视域下的绘画研究  

Caravaggio as an Event:Painting Research from the Perspective of Badiou

作　　者：卡洛斯·维达尔 艾士薇(译)[2] 高妍(译) Carlos Vidal(Lisbon University)

机构地区：[1]葡萄牙里斯本大学艺术学院 [2]武汉大学文学院 [3]武汉大学

出　　处：《马克思主义美学研究》2021年第2期82-100,724,共20页Research on Marxist Aesthetics

摘　　要：较之政治、诗歌和音乐,哲学家较少探讨绘画,但这是理解艺术的重要途径。本文为阿兰·巴迪欧(Alain Badiou)基本论题在绘画领域的发展,运用他的思想理解、呈现和展开绘画艺术。本文首先介绍巴迪欧思想的基本概念:情境、统一性、情境状态和事件,并以圣保罗和勋伯格为例说明事件的特殊性,继而将巴迪欧的哲学思想拓展到绘画领域,对卡拉瓦乔及其“无名之光”进行分析,强调卡拉瓦乔的暗色调主义在绘画史上的事件性。Compared with politics,poetry and music,philosophers do less exploration of painting;however,such exploration is an important way to understand art.This essay proposes a development of Alain Badiou’s essential thesis in the field of painting,using his categories of thought to understand,present and develop the conception of fine art.Firstly,it introduces the basic concepts of Badiou’s thought:situation,unity,state of the situation and event,and takes Saint Paul and Schoenberg as examples to illustrate the particularity of event,and then he extends his philosophy to the field of painting.Finally,this article analyzes Caravaggio and his"nameless light"and emphasizes the eventuality of Caravaggio’s tenebroso in the history of painting.

关 键 词：巴迪欧 卡拉瓦乔 绘画 事件 无名之光 

分 类 号：J20-02[艺术—美术]