男权视角下女性的逃逸叙事——以《玩偶之家》与《查泰莱夫人的情人》为例  

The Escape Narrative of Women from the Perspective of Men——A Case Study of A Doll’s House and Lady Chatterley’s Lover

作　　者：刘莉红 LIU Lihong(School of Literature,Minnan Normal University,Zhangzhou 363000,Fujian,China)

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《惠州学院学报》2020年第2期46-51,共6页Journal of Huizhou University

摘　　要：劳伦斯与易卜生都塑造了一系列具有鲜明个性特征的女性形象,特别是《玩偶之家》中的娜拉与《查泰莱夫人的情人》中的康妮,两位具有自由意志与独立精神的资产阶级女性,因所处空间的压迫性,导致她们精神与肉体异化,而不得不逃逸原来的生活。然而,由于现实家庭空间与理想社会空间的巨大差异性,她们逃逸后命运的不确定性,引起一代又一代人的关注与探析。文章以叙事理论为基础,以当代女性主义视域为学术资源,以文本为分析对象,从男权视角下探索女性逃逸的成因及出路问题。这对研究易卜生与劳伦斯不尽相同的文化价值取向,并深入探讨男权视角下女性的命运及其文学史意义,都有着重要的理论价值。Both Laurence and Henrik Ibsen have created a series of female characters with distinct personality,especially with A Doll’s House in the A Doll’s House and Connie in the Lady Chatterley’s Lover,two bourgeois women with free will and independent spirit escape the original life because of the oppression of their space.However,because of the great difference between the real family space and the ideal social space,the uncertainty of their fate after escape has aroused the attention and analysis from generation to generation.Based on narrative theory,this paper takes contemporary feminism as the academic resource,and takes A Doll’s House and Lady Chatterley’s Lover as the textual analysis object.This paper attempts to explore the causes and outlet of the escape of two bourgeois women.The narrative analysis of the theme of female escape is of great theoretical value in the study of the different cultural values of Henrik Ibsen and Laurence as well as in the further study of the female fate and the significance of literary history in the works of male writers.

关 键 词：女性逃逸 身体叙事 空间叙事 男权视角 

分 类 号：I106-03[文学—世界文学]