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作 者:郭长海 郭阎梅 Guo Changhai;Guo Yanmei
机构地区:[1]不详 [2]哈尔滨市住房和城乡建设局,哈尔滨150010
出 处:《北方音乐》2022年第4期23-29,共7页Journal of the Northern Music
摘 要:“金源”是女真族人的肇兴之地,曾经孕育了包括金源乐舞在内的金源文化。黑龙江省伊春市金山屯金山古城遗址墓葬群特别是完颜宗尹墓等金代贵族墓葬出土的大量珍贵文物,为我们认识金源文化,特别是认识女真贵族乐舞文化提供了依据。此墓葬群出土的“八面乐舞浮雕石幢”证实了金代女真贵族用乐中筚篥、箜篌、金拨胡琴、小忽雷、羊琴等乐器的存在,一改此前金代贵族用乐只见记载,不见实物的现象,为新时代金源乐舞文化研究增添了新材料,对书写金代音乐历史具有重要意义。Jinyuan,where the Nvzhen people started and flourished,nurtured the Jinyuan culture which including its music and dance. Burial groups in Jinshan ancient city site which found in Jinshan Tun Village,Yichun of Heilongjiang Province,notably the tomb of Wanyan Zongyin and other Jin dynasty noble burials unearthed a large number of valuable relics. They provide the basis for understanding of the Jinyuan culture,especially the Nvzhen noble music and dance culture. The “Eight-side Music and Dance Rilievo Stone Block” confirmed the Jin dynasty Nvzhen noble music instrument which just had recorded in the literature,such as Bili,Konghou,Huqin with golden pluck,Small Khu Lei,Yangqin. The discovery not only changed the situation that relevant record just existed in literature,but also provides new materials for the Jinyuan music and dance culture research in new age. It is great significance for the history writing about the music and dance in Jin dynasty.
分 类 号:K879.3[历史地理—考古学及博物馆学] J632[历史地理—历史学]
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