舞蹈创作中舞台空间表现形式研究  

Research on the Expression Form of Stage Space in Dance Creation

作　　者：侯文靖[1] HOU Wen-jing(School of Continuing Education,Beijing Dance Academy,Beijing 100081,China)

机构地区：[1]北京舞蹈学院继续教育学院,北京100081

出　　处：《北京舞蹈学院学报》2020年第2期89-91,共3页Journal of Beijing Dance Academy

摘　　要：当今时代处于转型与变化之中,舞蹈的形态也正在发生变化。当代剧场艺术的视觉性、整体性特征已经形成。当下舞蹈创作中,编导常常通过对舞台空间形式的改变,以限制的方式参与舞蹈本体表达,从而开掘舞蹈内在的行为本质,真正实现舞台空间形式与舞蹈本体互动的创作途径。《流浪者之歌》《滑》《霾》等舞蹈作品阐释了当代舞台空间形式开掘的内涵以及由此引起的对舞蹈本体构成因素的影响。通过舞蹈空间形式的改变呈现出舞蹈作品的行为意味,能够更充分地唤起观众的动觉体验,为观众带来一种新视角、新想象。The contemporary era is in transition and change,and the form of dance is also changing.The visual and holistic characteristics of contemporary theater art have been formed.In the current dance creation,choreographers often participate in the expression of dance ontology by changing the form of stage space in a restrictive way,in order to explore the inherent behavioral essence of dance and truly realize the creation way of interaction between the form of stage space and dance ontology.Taking dance works such as"Song of the Wanderer","Slide"and"Haze"as examples,the paper interprets the connotation of exploring the contemporary stage space form and the resulting influences on the elements of dance ontology.Through the change in the form of dance space,it shows the behavioral connotation of dance works,which can further evoke the kinesthetic experience of the audience and bring a new perspective and imagination to the audience.

关 键 词：舞台空间形式 行为内涵 审美真实性 限制 

分 类 号：J704[艺术—舞蹈]