现代性理论视阈下的山东鼓子秧歌现当代变迁  

The Modern and Contemporary Transformations of Shandong GuZi Yangko from the Theoretical Perspective of Modernity

作　　者：李卿[1] LI Qing(Department of Chinese Ethic and Folk Dance,Beijing Dance Academy,Beijing 100081,China)

机构地区：[1]北京舞蹈学院中国民族民间舞系党总支,北京100081

出　　处：《北京舞蹈学院学报》2020年第2期35-42,共8页Journal of Beijing Dance Academy

基　　金：“北京市属高校高水平教师队伍建设支持计划——青年拔尖人才培育计划”(项目编号CIT&TCD201704079)阶段性成果

摘　　要："跑十五"作为流行于鲁北平原的民俗仪式,自20世纪50年代以来,伴随着现代性在中国的推进,从"名"到"实"都发生了巨大的变化。首先,人们的思想伴随着现代技术的发展逐步改变,为"跑十五"摆脱春节期间神圣时空的限定,进入舞台的世俗时空提供了前提;其次,文艺工作者借助专家身份,从"跑十五"的动作、伴奏、场图、角色等方面提炼出符号标志,将鼓子秧歌建构成型;最后,在鼓子秧歌的实践中形成的相关认知与实践本身不断互动,不仅构成现实中鼓子秧歌的诸多面相,更反身巩固了其在当代社会的合法性地位。由此,我们从新的视角解析鼓子秧歌在当代社会所呈现的复杂面貌,并以此为个案揭示诸多中国民间艺术在20世纪所共同经历的嬗变。As a folk ceremony popular in the northern Shandong plain,"Running Fifteenth"has undergone tremendous changes from"name"to"reality"since the 1950 s,alongside the advancement of modernity in China.First of all,people’s ideas have gradually changed with the development of modern technology,which provided the premise for"Running Fifteenth"to get rid of the limitation of sacred time and space during the Spring Festival,and enter the stage of secular space and time;Secondly,with the help of the expert identity,artists extracted symbolic signs from the movement,accompaniment,field map,role and other aspects of"Running Fifteenth"and constructed the Guzi Yangko;Finally,the relevant cognition formed in the practice of Guzi Yangko constantly interacts with the practice itself,not only constituting the multiple aspects of Gu Zi Yangko in reality,but also reinforcing its legitimacy in contemporary society.Thus,the paper analyzes the complex features of Guzi Yangko in contemporary society from a new perspective,and takes it as an example to reveal the transformations that many Chinese folk arts have experienced in the last century.

关 键 词：“跑十五” 鼓子秧歌 民俗仪式 民间艺术 学院舞种 

分 类 号：J722.211[艺术—舞蹈]