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作 者:王晓玉 Wang Xiaoyu
机构地区:[1]北京第二外国语学院文化与传播学院
出 处:《古代文学理论研究》2022年第2期139-156,共18页Studies of Ancient Chinese Literary Theory
基 金:国家社科基金青年项目“‘观物’与宋代诗学研究”(项目号:17CZW001)阶段性研究成果
摘 要:怪奇是北宋中期诗歌的特征之一,其审美内涵与前代相比发生了明显变化,即从尚奇尚异的修辞技巧与审美趣味之探索,逐渐转变为观物视野与作家个性结合的产物,升华为融摄天地之理与圣人之意的体道路径,兼具哲理价值与美学意蕴。转型的原因之一是价值阐释标准的更新,作为形塑怪奇诗风的重要人物,欧阳修、苏轼先后提出了“一卦之言而异体”、“通二为一”观念,这些易学观念既接蘖了易学观物方式的特色,更阐发了怪奇与宇宙之道、圣人语言观的内在联系,为怪奇审美内涵在北宋的重构提供了形而上的范式和标准。从诗学史的发展脉络来看,欧、苏的阐释一则解决了韩愈诗歌所面临的阐释困境,一则为宋人探索怪奇诗风和确立平淡中见奇趣的诗学理想提供了哲学基础与经学依据。Strange is one of the styles of poetry in the middle of Northern Song Dynasty,its aesthetic connotation has changed significantly compared with the previous generations,that is,from the exploration of strange skills and aesthetic taste,has gradually changed into the product of combining the view of objects with the writer's personality,and sublimated into the style path of integrating the principles of heaven and the meaning of saints,which has both philosophical value and aesthetic implication.One of the reasons for the change is the renewal of the standard of value interpretation.Ouyang Xiu and Su Shi,as the important figures in shaping the strange poetic style,put forward the concepts of“one hexagram but different”and“connecting two into one”.These concepts are not only revealed the philosophy of observing things in The Book of Changes,but also explained the inner relationship between the strange poetic style and the philosophy of observing things and the sage's view of language,and provided a metaphysical paradigm and standard for the reconstruction of the aesthetic connotation of strange poetry in the Northern Song Dynasty.From the perspective of the development of poetic history,the interpretation of Ouyang and Su have solved the explanatory dilemma of Han Yu's poetry,and provided the philosophical and classical basis for the legitimacy of strange poetic style and established the poetic ideal of the strange in the plain.
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