《诗章》对惠特曼自由体诗歌模仿的两面性  

Two Sides of Ezra Pound’s Imitation of Walt Whitman’s Free Verse in The Cantos

作　　者：郭英杰[1] GUO Yingjie

机构地区：[1]陕西师范大学外国语学院

出　　处：《广东外语外贸大学学报》2021年第6期127-139,156,共14页Journal of Guangdong University of Foreign Studies

基　　金：陕西社会科学基金项目“陕西电影40年与陕西文化形象的建构研究”(2019K035)

摘　　要：自由体诗歌具有鲜明的个性和独特的发展轨迹,惠特曼的《草叶集》和庞德的《诗章》都是自由体诗歌的典范。惠特曼的自由体诗歌作为美国文学传统影响了庞德的《诗章》创作,涉及诗歌韵律、节奏和抒情模式;口语表达和开放结构;平民思想和道德意识等方面。不过,庞德在模仿惠特曼自由体诗歌的过程中也暴露出矛盾的心态,有"影响的焦虑"。庞德的自由体诗歌融合了意象派艺术特色,本质上具有现代主义品格。Free verse/vers libre has distinct characteristics and unique developing history.Walt Whitman’s Leaves of Grass and Ezra Pound’s The Cantos are both models of its kind.Whitman’s free verse,as an American literary tradition,has influenced Pound’s poetry in obviously three aspects:(1)Poetic rhythm,metre and lyric modes;(2)Colloquial expressions and open structures;(3)Populist beliefs and moral consciousness.However,Pound’s imitation of Whitman’s free verse also reflects his ambivalent attitudes and“anxiety of influence”.Pound’s vers libre has integrated the Imagist’s artistic features,and thus embodies the very qualities of modernism.

关 键 词：惠特曼 庞德 《草叶集》 《诗章》 

分 类 号：I712.072[文学—其他各国文学]