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作 者:王朋 Wang Peng
出 处:《汉语史学报》2022年第2期152-162,共11页Journal of Chinese Language History
基 金:国家社科基金招标项目“‘韵法直横图系列等韵著作’等韵理论的传承创新与语音史价值研究”(项目编号:15BYY102)研究成果之一。
摘 要:《七音韵准》成书于顺治丁酉年,沈菽著.沈氏博综群书,对前人的等韵理论多有传承,又能剖析疑虑,在已有框架之上大胆创新.沈氏等韵理论的传承与创新体现在以下四个方面:一、在《皇极图韵》"四声经纬图"的基础上,调整韵系结构,作"四声经纬图",弥补陈氏不足.二、在陈献可"经纬省括图"和叶秉敬"四派祖宗门法"的影响下,创"四派字祖分属七音清浊位次",分开齐合撮四呼.三、继承《韵法横图》的呼名,分韵为"七音"与乐律的"五音二变"相配.四、在《切韵指掌图》和《度曲须知》的影响下,作"七音等类统括四声字韵总纲",以见母字统音,详定收音以赅字头字尾之极致.In ShunZhi years(1657),Shen Shu wrote the Qiyin Yunzhun.Shen was a widely-read man,and he not only inherited the theories of dengyun from predecessors,but also settled doubts and made bold innovations on what others have already done.Shen's in-novation was reflected in the following four aspects.The first,on the basis of the Sisheng Jingwei Tu in Huangji Tuyun,Shen Shu made the Sisheng J ingwei Tu by changing the structure of rhyme to making up for chen's disadvantages.The second,under the influence.of Chen Xianke's Jingwvei Shengkuo Tu and Ye Bingjing's Si pai Zuzong Menfa,Shen cre-ated the Sipai Zizu Qingzhuo Weici and divided into four categories of Kai,Qi,He,Cuo.The third,Shen inherited the HuMing of Yunfa Hengtu,and divided rhyme into seven tones to matching Wu Ying ErBian in musical system.The fourth,under the influence of Qieyun Zhizhangtu and Duqu Xuzhi,the author made the Qiyin Denglei Tongkuo Sish-eng Ziyun Zonggang,and used Jian as an example that made Shou Yin in details to colla-ting the start and the end of the word.
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