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作 者:沈文凡[1] 杨辰宇[1] Shen Wenfan;Yang Chenyu
机构地区:[1]吉林大学文学院
出 处:《古代文学理论研究》2018年第1期215-230,共16页Studies of Ancient Chinese Literary Theory
基 金:国家社会科学基金项目“《全唐诗》创作接受史文献缉考”(14BZW082).
摘 要:中唐是唐王朝风雨巨变的转型期,对于文学来讲,也是重要的过渡阶段.作为过渡期的诗人刘言史,其诗歌在文学渊源上,上承“诗”、“骚”,在创作实践中有意识地从《诗经》、楚辞中汲取养料,下启韩孟,与韩孟集团(尤其孟郊)渊源深厚,刘言史终其一生,虽然未能明确提出具体的理论主张,但在创作层面上,仍可看出其承前引后的践行轨迹,被后世严羽标榜为旗帜,为中唐诗风的求新变异,掀起风潮一隅.The middle Tang Dynasty was a turning point for the whole Tang Dynasty.It had the same meaning for the Chinese literature.As a poet,Liu Yanshi was living in the special period His poetry had colorful writing background and source.He inherited classical tradition as Shi Jing and Li Saot He absorbed their nutrient actively.He inspired Meng Jiao and Han Ytu And he had a destiny that tied their organization's people together,Duiring his whole life,Liu Yanshi had not presented the explicit proposition.But his works had rich significance.He was touted by Yan Yu,a future critic,as the banner of theory.He was a signal for poetic style changing in the middle Tang Dynasty.
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