喧嚣的世界——以狂欢化理论解析睢景臣之《高祖还乡》  

The riproaring world——Analysis of the "Gao Zu's returning home" by SUI Jing-chen with carnivalesque theory

作　　者：高黎[1] 杨凯[2] 

机构地区：[1]陕西广播电视大学文法教学部,陕西西安710068 [2]西安理工大学高等技术学院,陕西西安710082

出　　处：《宝鸡文理学院学报（社会科学版）》2007年第5期78-81,90,共5页Journal of Baoji University of Arts and Sciences：Social Science Edition

摘　　要：本文以俄国理论家巴赫金的狂欢化理论解读元代散曲名家睢景臣的作品《高祖还乡》,认为作者以戏谑的手法将庄严盛大的皇帝出巡仪式演化为一出混乱、粗鄙的民间闹剧,以狂欢化手法———降格、狂欢化人物———乡野村夫、狂欢化的笑构筑了一个戏谑的、笑闹的、众声嘈杂的狂欢世界,而在这狂欢景观之后隐含着作者对历史的清醒把握。这才是景臣"新奇"之所在。In this paper,the "Gao Zu s returning home" by SUI Jing-chen was analysed in detail based on the carnivalesque theory raised by Bakhtin.The joking artifice was used to made the solemn and royal tour of inspection of the emperor s become a disordered and blackguardly popular farce,and a joking,laughy and noisy world was presented through the carnivalesque artifice-degradation;carnivalesque persona-countryman and carnivalesque laugh.But the truly understanding about the history was hidden in these carnivalesq...

关 键 词：狂欢化 狂欢化手法——降格 狂欢化人物——骗子、小丑 狂欢化的笑 

分 类 号：I207.24[文学—中国文学]