中国传统工笔仕女画和浮世绘美人画在表现技法及构成形式上的比较  

A COMPARATIVE STUDY OF THE SIMILARITIES AND DIFFERENCES IN THEIR TECHNIQUES AND FORMS OF THE TRADITIONAL CHINESE METICULOUS BRUSH PAINTING OF BEAUTIFUL WOMEN AND THE JAPANESE UKIYO-E PAINTING OF BEAUTIFUL WOMEN

作　　者：王潇莎[1] 

机构地区：[1]西华师范大学美术系,四川南充637002

出　　处：《西华师范大学学报（哲学社会科学版）》2006年第3期81-84,共4页Journal of China West Normal University:Philosophy & Social Sciences

摘　　要：女性形象的创作在中国画中被称为“仕女画”,在日本画中被称作“美人画”。虽然中国仕女画与日本美人画两者的名称有差异、但在实质上,仍属于同一种绘画题材。而日本美人画胎息于中国唐代仕女画,长期受中国传统仕女画艺术风格的影响,并在其影响下不断发展。甚至被称为最具日本民族风格的浮世绘美人画,我们在透过其浮华的外表下,仍可清晰的观察到其内蕴亦深受中国传统工笔仕女绘画艺术影响的痕迹。本文旨在对现有资料收集整理的基础上,对中国传统工笔仕女画及日本浮世绘美人画的表现技法及构成形式做比较,研究、分析和讨论两者的异同,并结合实践经验和理论知识做一论述。The women images in Chinese paintings are called 'Paintings of Beautiful Ladies' while in Japan are 'Paintings of Beauties'. Though there exists slight difference in the name, they fall into the same kind of drawing in their essence. The Japanese 'Paintings of Beauties' were born from the 'Paintings of Beautiful Ladies' in the Dynasty of Tang and have long been influenced and developed by the Chinese artistic style. However, through the buckish appearance, we can still observe the traces of the influences from the Chinese paintings in their internality. This paper, based on all the present materials collected widely, tries to have a comparative study and analysis of the Traditional Chinese Meticulous Brush Painting of Beautiful Women with Meticulous Work and the Japanese Ukiyo-e Painting of Beautiful Women, focusing on the expressive techniques, constituent forms. The whole paper is composed of four parts as follows.

关 键 词：中国传统工笔仕女画 浮士绘美人画 影响 

分 类 号：J212.2[艺术—美术]