《水浒》中相关题材现代改编情况综述  

Summary on Modern Adaptation of All Men Are Brothers

作　　者：陈俏湄[1] 

机构地区：[1]广东金融学院财经传媒系,广州51000

出　　处：《嘉应学院学报》2008年第2期72-76,共5页Journal of Jiaying University

摘　　要：论文对1917-1949年间现代作家以《水浒》中梁山故事相关题材为改编对象创作的小说、戏剧进行了整体考察,对相关作品的数量、创作年代、改编方式、题材分布等情况作史料上的整理,并根据作品的取材与思想倾向梳理出主要的三大主题类型:侠义类创作、人性化创作和意识形态创作。同时,结合特定的历史文化背景、改编者的创作心态以及读者的接受期待,对各类主题的作品进行介绍与分析,由此探寻其所反映的时代风气、历史进程、文化影响等丰富内容。The paper examines All Men Are Brothers-based fictions and plays written between 1917 to 1949.The author tries to outline a biography of related works and categorizes them into three dramatic themes constituted with chivalry,humanity and ideology.The paper also explores specific historical and cultural background,the physiology of creative adaptation,the reader s expectations,presentation and thematic analysis.With a discussion of the adaptive works artistic success and failure,the author attempts to sort ...

关 键 词：《水浒》 题材 现代改编 

分 类 号：I207.412[文学—中国文学]