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作 者:孙福轩[1]
出 处:《济南大学学报(社会科学版)》2008年第4期35-39,91,共6页Journal of University of Jinan:Social Science Edition
基 金:浙江省教育厅课题资助项目"唐以来古体赋学研究"(20070094);浙江大学董氏基金项目"中国古体赋学研究"(No.11)
摘 要:选本批评是赋学理论的重要内容和主要形式。清代康熙、雍正年间,出于帝王的提倡,赋学表现出重视律体的倾向,同时由于创作主体的身份认同和对元明赋学的继承,又表现出以情力为主,古律兼综的赋论趋向,这在当时的赋选中有十分鲜明的体现。Textual criticism is the important contents and the main form of the theory of Fu.In the periods of Emperors Kangxi and Yongzheng,the theory of Fu showed attention to the tendency of poem Fu because of the emperor s advocating.At the same time since the identities of creation body and inheriting Fu s theory of the Yuan and Ming dynasties,it was as well as shown the trend of emphasis on the feeling and strength,and combining prose Fu and poem Fu,all these is given a very clear expression in Fu s selections.
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