从“印度三部曲”看奈保尔的民族情结  

On Naipaul's National Complex in His India Trilogy

作　　者：乔丽媛[1] 

机构地区：[1]广东省肇庆学院中文系

出　　处：《外国文学研究》2003年第5期35-38,共4页Foreign Literature Studies

摘　　要：印裔英国作家 V.S.奈保尔一直被认为是一个“无根”的“文学旅人”,他的“印度三部曲”更是成了他与印度“疏离”以及族群归属缺失的佐证。本文认为 ,奈保尔对母国印度的感情是复杂、微妙的 ,他一而再、再而三的“印度之旅”揭示出 :印度就是他“想象的家园”。他在“寻根”的旅途中经历了漫长、曲折的族群认同过程 ,他对印度文明神话的“颠覆”,完全出于促其改善的“期待”。The Indian-British writer V.S.Naipaul has always been considered a 'rootless literal traveler.' His 'India trilogy' has become evidence of his separation from Indian culture. In fact, Naipaul's feelings towards his mother country rather complicated and delicate. His frequent ' tour to India' indicates that: his subversion of Indian civilizations is totally out of his expectation of its improvement.

关 键 词：V.S.奈保尔 印度三部曲 民族情结 

分 类 号：I106[文学—世界文学]