中国古典舞蹈中“象”的哲学思考  

A Philosophical Thought on the "Shape" of the Chinese Classical Dance

作　　者：潘晓敏[1] 

机构地区：[1]湖州师范学院艺术学院,浙江湖州313000

出　　处：《宿州学院学报》2008年第5期61-63,共3页Journal of Suzhou University

摘　　要：中国古典舞中所蕴含的"形"、"象"、"意",具有深刻的哲学内涵,其中"象"的哲学意蕴是指想象中的外物形象。舞蹈作为人体艺术语言,动作姿容的外表形态是舞蹈的"象",动作姿容的内涵是舞蹈的"意"。将中国古典舞置于辩证关系上进行分析,古典舞之所以在中国源远流长和认同是因为以"道"作为其内在的精神核心,以"划圆"为运动规律核心,以"气韵"做为其内外情感的两重性,以流动性和变化性启示宇宙内部的和谐与节奏,同时体现了"古典精神"于中国舞蹈的影响和延伸意义。The 'appearance','shape' and 'meaning' embodied in the Chinese classical dance are of profound philosophical implications,and the philosophical definition of the 'shape' refers to the concrete images of imagination.Dance is the artistic language of human body;the outer looks of actions are the 'shape' of dance and the connotations of actions are the 'meaning' of dance.Based on a dialectical analysis,the reasons for the long history and the identity of the Chinese classical dance are as follows: the Chinese ...

关 键 词：中国古典舞蹈 哲学思考 意 象 

分 类 号：J722.4[艺术—舞蹈]