论中唐骈散相争与韩愈的“破骈为散”  

The Struggle of PianSan in Mid-tang Dynasty and Han Yu's "Controversy of Prose and Pianwen"

作　　者：莫山洪[1] 

机构地区：[1]安徽师范大学中国诗学研究中心,安徽芜湖241000

出　　处：《中国文学研究》2009年第1期66-69,共4页Research of Chinese Literature

基　　金：国家社会科学基金项目"骈文学史研究"(05BZW 034 )成果。

摘　　要：韩愈"破骈为散",改变了六朝以来骈文占据主导地位的局面。其破骈为散的主要方法一是增加句子的字数改变原来的对仗;二是故意把原本可以作为好好的对句改为不对仗的,几个很标准的句式已经构成对句长联,他又突然增加一句,打破骈文的对仗形式;三是把对仗句式演变成排比句式;四是强调"惟陈言之务去"。韩愈破骈为散,体现了骈散相争的对立而又互融的特点。Han Yu s the Controversy of Prose and Pian wen had changed the leading factor position of Pian wen since the Six Dynasties.Han Yu s the Controversy of Prose and Pian wen had several kinds of main method.First,the original antitheses sentence-type was changed by increasing the word number.Second,Han Yu broke the antithesis form of Pian Wen.He changed the contrastive sentence to no contrastive.He increased a sentence in the long couplet.The long couplet was composed of the several standard sentence-types.Thir...

关 键 词：中唐 骈散相争 韩愈 破骈为散 扬弃 

分 类 号：I206.2[文学—中国文学]