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作 者:李琳[1]
出 处:《解放军外国语学院学报》2000年第2期97-99,共3页Journal of PLA University of Foreign Languages
摘 要:陀思妥耶夫斯基将其审美视线聚焦于人的最隐密、最深层的心理活动和畸形的、病态的意识 ,通过自我感受揭示人内心深处的奥秘 ,运用变态变形强调普遍意义上人的本质 ,将社会骨子里的病态雕塑成慑人魂魄的变形美。其间包容了许多人性的力量、人性的分裂、人性的怪诞和荒谬 ,包含了许多令人不可理解的矛盾、不可原谅的罪恶以及不可捉摸的变态 ,然而正是这多重对立因素的重叠 。Dostoyevsky focuses his aesthetic appreciation on peoples most secret and innermost psychological behaviors and their distorted and abnormal consciousness. He exposes peoples innermost secrets from his own experiences, emphasizes the general human nature through abnormality and metamorphosis, and from the morbid state deeply rooted in society portrays an awe inspiring image of metamorphic beauty, which involves a great amount of the strength, split, strangeness and absurdity of the human nature, a number of incomprehensive contradictions, and unforgivable sins and unfathomable metamorphosis. But it is the overlapping of these contradictory factors that contributes to the portrayal of the unimaginable beauty and the irresistible strength.
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