侧艳与悲凉交织的诗歌旋律——江总诗歌研究  

Poetic Melody of Gorgeous Beauty and Profound Grief:A Study of Jiang Zong's Poetry

作　　者：钟翠红 

机构地区：[1]南京人口学院社会工作系,南京210042

出　　处：《玉溪师范学院学报》2008年第3期30-34,共5页Journal of Yuxi Normal University

基　　金：南京人口管理干部学院科研基金资助项目(2007C09)

摘　　要：诗人江总一生历经梁、陈、隋三朝,他身居高位却不理朝政,其人其诗都颇受争议。江总擅长五言、七言诗的创作。在其现存的百余首诗中,呈现出一种侧艳与悲凉相互交织的风格。梁、陈以来动荡的形势、末世的情结在文人心中投下的阴影是形成江总诗风的主要原因。Jiang Zong's life covered the three successive dynasties of Liang, Chen and Sui. Although he held a high official position, he rarely attended his responsibilities, which makes him a rather controversial poet. He was good at five-word-line and seven-word-line poems. The over a hundred poems we now have by him show a clear poetic style of gorgeous beauty tinted with profound grief, which may be explained by the unstable social context of his time that must have thrown a heavy shadow in the mind of then scholars.

关 键 词：江总 侧艳 悲凉 诗风 

分 类 号：I106.2[文学—世界文学]