论日据时期台湾歌仔戏的民族性与“现代性”  

On the Nationality and Modernity of the Taiwan Residents Operas during the Japanese Occupation

作　　者：李立平[1] 

机构地区：[1]南京大学中国现代文学研究中心,江苏南京210093

出　　处：《华文文学》2009年第5期76-83,共8页Literatures in Chinese

摘　　要：歌仔戏是唯一发源于台湾本土的传统戏曲。歌仔戏草根性与民族性的融合,民族性与现代性的纠葛,以及民族性与殖民性的冲突,共同演绎出了一段波诡云谲的戏剧运动史。歌仔戏的发展史,既是台湾人民的日常生活史,也是台湾人民反抗殖民的历史。歌仔戏与大陆的关联,戳破了所谓的文化台独、文学台独的虚妄与荒谬。The Taiwan Residents Opera is the only traditional kind of opera originating in Taiwan. The integration of grass root personality and modernity,the entanglement between nationality and modernity and the conflict between nationality and coloniality all contribute to the ebb and flow of the history of Taiwan Residents opera movement,which is not only a historical portrayal of the people's daily lives,but also a record of their anti-colonialist journey. Besides,its association with the Mainland undermines the delusive and a...

关 键 词：台湾日据时期 歌仔戏 草根性 民族性 “现代性” 

分 类 号：J825[艺术—戏剧戏曲]