中国小说滥觞期的诗化表征——中国古典小说的诗化论之一  

The Poetic Token of the Chinese Novel in its Primitive Times——On the Poetic Theory of Chinese Classic Novels

作　　者：罗勋章[1] 

机构地区：[1]长江大学文学院,湖北荆州434102

出　　处：《中国文学研究》2009年第3期59-62,共4页Research of Chinese Literature

基　　金：湖北省教育厅资助课题"中国小说诗化范式的衍变及现代转型"的阶段性成果

摘　　要：诗意,是中国文学的重要表征。中国古典小说作为以叙事为主的文学体裁,也深深地渗透了诗情画意。追寻中国古典小说的诗化之源,我们会发现,上古神话、诸子散文及赋与小说的叙事和诗化有着千丝万缕的联系。多种文体的审美意识的交杂、言说的诗意与诗意的言说虽然是后来的文人小说的重要表征,但在早期的诸子散文、神话与赋的表达中,已经有了极为清晰的踪迹。这些文体中的相当部分作品,已经具备了后来小说诗化表达的因子。而作为中国古典小说诗化的滥觞,它们的创作,对后世小说的诗化意味产生了深远影响。Poetry has been a significant token of the Chinese literature,as is pervasive in the literary form of classic novels mainly characterized by narration.Tracing the poetic source of Chinese classic novels,we'll find that the antediluvian mythos,the prose and Fu of the Pre-Qin philosophers and scholars have played an essential role in the development of poetry and narrative of Chinese classic novels.The blending of manifold varieties of literary genres and aesthetic consciousness as well as the narrative poetr...

关 键 词：诗意 诸子散文 神话传说 赋 

分 类 号：I207.41[文学—中国文学]