明前期文学奴性化语境下的于谦及其诗歌  

Yu Qian and his poems in enslaved literature context in early Ming Dynasty

作　　者：钱国莲[1] 

机构地区：[1]浙江工业大学人文学院,浙江杭州310023

出　　处：《浙江工业大学学报（社会科学版）》2005年第2期121-125,174,共6页Journal of Zhejiang University of Technology：Social Sciences

摘　　要：明前期思想文化领域的专制统治、对知识分子的高压政策以及肆无忌惮的迫害和摧残,造成了文人与文学的主体精神和独立品格的沦丧,导致了文学的奴性化。于谦虽然经历了台阁体几乎垄断整个文坛、文学趋于奴性化的主要时期,但是却能抵御这一流行语境的浸染,以独树一帜的诗歌创作使得文学担负起了描摹社会生活、歌咏人生、抒写真情实感之传统使命。虽然于谦诗歌并未带来明代文学的全面振兴,但是它对当时的文学奴性化趋势所带来的反拨意义和矫枉价值如同一缕春光给明前期枯寂的文学荒野带来了复苏的希望。In early Ming Dynasty the field of ideology and culture was ruled despotically, and the intellectuals under the high-handed policies suffered persecution and humiliation in an unscrupulous way, which led to the loss of the subject spirit and independent character of the literature and scholars, and led the literature into enslavement. Yu Qian experienced the period when “Tai Ge Ti” almost monopolized the whole literary world and literature was being enslaved, but he could still resist the influence of the t...

关 键 词：明前期文学 奴性化语境 于谦 诗歌 

分 类 号：I206.2[文学—中国文学]