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作 者:张鹏飞[1]
机构地区:[1]亳州师范高等专科学校中文系,安徽蒙城233500
出 处:《西安文理学院学报(社会科学版)》2009年第4期47-49,共3页Journal of Xi’an University(Social Sciences Edition)
基 金:安徽省教育厅人文社科研究基金项目(2009SK482);安徽省A类重点学科资助课题<安徽毫州地方戏文化的生存境遇及拓展取向研究>
摘 要:中国传统文化精髓可谓是从现实生活立足的具有实用体征的内容与形式融和贯通的哲学思辨体系,更注重戏剧艺术理应遵循于特定的伦理学和美学的价值规范。可以说,"天人合一"的中华传统文化的精神"潜质",也是华夏审美文化的"中坚思维",它在人类文明历史长河中成为文化艺术精神流变的一种支配力量与文化底蕴,始终渗透于中国地方戏审美的诸多时空。因此,中国地方戏曲崇尚"天人同构"的自由、和谐、恒定、隽永的生命状态,并成为东方戏剧艺术苑囿中一朵靓丽的文化奇葩。Abstract the essence of Chinese traditional culture can be based from the real-life signs of a practical integration of content and form through the system of speculative philosophy,the arts should pay more attention to follow the ethics of specific norms and aesthetic values.It can be said that 'harmony between man and nature' in the spirit of traditional Chinese culture,'potential',but also the culture of the Chinese aesthetic,'the backbone of thinking',which at long history of human civilization as a cultural and artistic spirit of the rheological strength of a dominant culture always penetrate the Chinese place a lot of time and space opera aesthetic.Therefore,the Chinese local opera advocating 'isomorphism Heaven' freedom,harmony,and a constant state of meaningful lives and become a dramatic art,Oriental Kingdom culture in a beautiful wonderful work.
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