姚合贾岛五言律诗的体式特征  

On Style of YAO He and JIA Dao’s Pentasyllabic Regulated Verses

作　　者：白爱平[1] 

机构地区：[1]西安石油大学人文学院,陕西西安710065

出　　处：《唐都学刊》2009年第5期22-25,共4页Tangdu Journal

基　　金：国家社会科学基金项目(07CZW022)

摘　　要：中唐诗人姚合、贾岛以清僻细密的艺术旨趣、奇涩精警的五律体制在诗歌史上独标一格。他们继杜甫对七言律诗的细密琢磨终至大成之后,开辟了五言律诗体式奇变的新风气。其结体成篇不苟常态,有蜂腰体、全篇单行体、搏挽法、逆挽法、因果法等结构方式,尤其是蜂腰体和单行体,形式朴拙生新而气韵圆转流贯。对仗的方式除常体之外,又有假对、流水对、当句对、隔句对、轻重对等,其中流水对和轻重对最能代表姚贾五律的对偶风格以及诗人诗歌创作的才情胆略。句式的生新奇变方面,则有十字句、倒装句和折腰句等,其中最具姚贾诗体特征也颇为后人称道效法的十字句式,于别致流畅之中见古拙之美。姚贾五律体式在中晚唐之后不断有众多后学推波助澜,逐渐形成了一定的诗体格局。YAO He and JIA Dao,two poets in mid-Tang Dynasty have special status in Chinese poetry history because of their pentasyllabic regulated verses with exquisite features and eccentric artistic purports. Following DU Fu’s septasyllabic delicate regulated verses,they created a new poetry prospect,five-syllable regulated verses. Their poems with ease and grace are mainly characterized by antithesis and ten-character sentence pattern. YAO He and JIA Dao’s five-syllable regulated verses are constantly followed in middle and late Tang Dynasties and gradually form a distinctive poetry style.

关 键 词：贾岛 姚合 五言律诗 体式 

分 类 号：I206.2[文学—中国文学]