台湾现代主义诗歌的西化和民族化——以纪弦、余光中、洛夫为中心  

The Westernization and Nationalization of Taiwan Modern Poetry:Focusing on Ji Xuan,Yu Guangzhong and Luo Fu

作　　者：佘爱春[1] 

机构地区：[1]玉林师范学院中文系,广西玉林537000

出　　处：《华文文学》2009年第6期56-61,共6页Literatures in Chinese

摘　　要：在台湾现代主义诗歌发展进程中,"现代与传统"、"西方与东方"、"西化与民族化"始终是齐头并进交织在一起的,是一个冲突博弈互补的过程,只是不同时期强调的重点不同而已,不能简单地看作是"全盘西化"或"先西化后回归"。文章以纪弦、余光中、洛夫为中心,通过分析他们的诗歌观念和创作实践,深入透析台湾现代主义诗歌的西化倾向和民族意识。Along the development of Taiwan Modern Poetry wherein different emphases are laid according to the time,such binaries as "tradition and modernity," "East and West," "westernization and nationalization," are after all interwovenly competing against but complementary to each other.Through the analysis of the poetic views and writings of the three Taiwan modern poets Ji Xuan,Yu Guangzhong and Luo Fu,this thesis probes into the trend of westernization and the awakening of national consciousness hidden in Taiwan...

关 键 词：台湾 现代主义诗歌 西化 民族化 

分 类 号：I207.25[文学—中国文学]