“纯音乐”的人文内蕴和“标题性音乐”的非文学性指向  

Music and Literature:Cultural Connotations in Absolute Music and Non-Literary Nature in Program Music

作　　者：范进德[1] 

机构地区：[1]上海音乐学院出版社

出　　处：《音乐艺术（上海音乐学院学报）》2009年第4期48-60,4,共14页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：以"纯音乐"和"标题性音乐"的不同美学观点为论点,阐释"纯音乐"的人文内蕴和"标题性音乐"的非文学性因素,以及两者的共性和对立统一的关系、音乐与文学的互补性现象,揭示音乐及其作品在人类大文化的历史环境中的本质特点。Out of the "absolute music" and the "program music" aesthetic viewpoints,the essay tries to explain the cultural connotations of the "absolute music" and the non-literary factors of the "program music",the commonalities and unity between the two opposites,the complementary nature of music and literature,as well as the essence of music and musical works as reflected in the historical context of human culture as a whole.

关 键 词：纯音乐 标题性音乐 人文内涵 文学性 音乐本质特点 

分 类 号：J605[艺术—音乐]