佛禅语言诗性化考辨——“诗俏禅门”再认识  

An Examination of Poetry Orientation of Buddhist Phrases

作　　者：王树海[1] 刘春明[1] 

机构地区：[1]吉林大学文学院

出　　处：《吉林大学社会科学学报》2010年第4期44-51,159-160,共10页Jilin University Journal Social Sciences Edition

基　　金：教育部人文社会科学基金项目(07JA751005)

摘　　要：佛视诗作"绮语",世间主情。其后,尤其是在佛教的中国化完成之后,精神世界的风云际会使禅家向诗示爱,诗俏禅门,蔚成大观,是佛禅传道示法的需要。学界有禅宗"数典造祖"说,诸如西天七佛二十八祖、东土初祖达摩的禅宗法系以至六祖慧能的出身籍贯等等,虽有文字记载,倘从史学甚或思想史的要求说来都是可打折扣的,其中煞有介事的"拈花微笑"、"一苇渡江"、"九年面壁"、"只履西归"、"夜付衣钵"等,若证之以史,责之于实,都该是议论纷然的"公案"、"话头",唐人称"禅宗"为"虚宗"也是从这种意义出发的。然而,其于诗学、美学的价值,却是有目共睹的,从总体上说,禅门慕诗及其"造祖"过程中的文学意味、诗性诗意,却表现了一种终极意义的真实,精神世界的跌宕错位,使这种诗性文学意蕴的表述传达,呈现出心灵、精神信史的光耀。禅家"不立文字"之文字即其"不离"的文字,乃诗之别名;佛禅语言不断诗性化的演进次第,也从一方面反证了诗性语言某些本质属性,其"不确语"亦"不诳语"的含混性,正是表现世界,传达"真如"最准确恰切的文字;诗不作伪,是"真"的"善美",为诗禅融会提供了无限可能性,两者的出入变换足可进入艺术传达的化境。Buddhism took poetry as the major expression of its sentimental ideas and principles,especially after Buddhism naturalized into China,it has been a warming phenomenon that Buddhist favorite expression of spiritual world has been poetry,and it took it as the needs of delivering its principles.There is a Chan branch in Buddhism and many popular stories told by this branch were criticized by serious historical examinations of their true nature of its favorite stories,but,if we review them from the poetry tende...

关 键 词：佛禅 佛禅语言 诗俏禅门 语言诗性化 

分 类 号：I207.22[文学—中国文学]