理学的张扬与自信心的凸显——论南宋中期辞赋创作的新变  

The Publicity of Neo-Confucianism and the Prominence of Self-Confidence——Views on New Changes of Poetic Essays in the Mid-Southern Song Dynasty

作　　者：刘培[1] 

机构地区：[1]山东大学文学与新闻传播学院,济南250100

出　　处：《复旦学报（社会科学版）》2011年第5期11-23,共13页Fudan Journal（Social Sciences）

基　　金：教育部新世纪优秀人才支持计划(项目批准号:NCET-10-0520);山东大学自主创新基金项目"两宋赋史"(项目批准号:IFW09064)的阶段性成果

摘　　要：理学的发展与自信心的恢复与张扬,是南宋中期学术文化方面非常显著的特征,辞赋创作的走向与之密切相关。辞赋创作在当时显现出一些新特征:理学与辞赋形成了一种互动的态势,辞赋成为宣扬理学观念、阐释理学教义的重要载体,也成为表达理学人生境界的重要载体;辞赋多感情饱满、个性张扬、恃才骋气,辞赋中的这种感悟更具有鲜明的现实意义和批判精神,很好地体现了微闻讥刺、诡文谲谏的特征;表现生活场景的赋作思想深度得到深化,以往的浅陋见识得到一定程度的提升;辞赋较之从前,辞章和立意更精致、更新巧,这与读书人对唐宋古文的重视、科场时文的程式化等密切相关。It was remarkable that the Neo-Confucianism had developed in the mid-Southern Song Dynasty,and self-confidence was regained and publicized in the aspect of academic culture.The writing of poetic essays presented new features;Neo-Confucianism and the poetic essays became interactive with each other.For one thing,the poetic essay became an important form to advocate the ideas,to voice the doctrines and try its best to describe the life realm of the Neo-Confucianism.Full of zeal and literary talent,these poetic essays embodied so sharp realistic meaning and critical spirits that they well preserved the ironic and fantastic sense.For another,the connotation of the poetic essays turned wider and deeper,with its superficiality got remedy.What's more,since tied-up with the widespread learning of the classical prose of the Tang-Song period and the priggish forms of imperial examinations,the poetic essay became more exquisite and ingenious compared with the past,and its literariness and conception were highly valued.

关 键 词：南宋 辞赋 理学 自信 机趣 爱国精神 科场时文 

分 类 号：I207.22[文学—中国文学]