从法兰克福批判到大众文化建构——21世纪中国电视文化研究理念的嬗变和趋向  

From Frankfurt Criticism to Mass Culture Construction:the Change and Trends for Chinese Television Culture Studies in the 21^(th) Century

作　　者：欧阳宏生[1] 李弋[1] 

机构地区：[1]四川大学新闻传播研究所,四川成都610064

出　　处：《山西大学学报（哲学社会科学版）》2012年第3期321-327,共7页Journal of Shanxi University(Philosophy and Social Science Edition)

摘　　要：21世纪中国电视文化研究理念发生了明显的变化,从单纯地引用借鉴国外电视理论,到在冲突与协商、对话与抵制中内化为自身的修养和理论创造力,最终发展为对中华文化与文化工业融合后的大众文化的认同与建构,形成了中国电视文化研究的独特路径和景观。There are significant concept changes in the studies of television culture in 21st Century.The study concept experienced the changes from simply using the foreigh television theories for reference to internalizing them as self-accomplishment and creativity,between conflicts and negotiations,dialogues and opposition,and eventually to the recognition and construation of public culture which is the result of the fusion of Chinese culture and cultural industry culture,forming a unique approach and scene in the studies of Chinese television culture.

关 键 词：电视文化 法兰克福批判 大众文化 电视理念 

分 类 号：G22[文化科学]