京津地区相声演出现场的调查与研究  

The Field and The Research of the Crosstalk Performance Ecology in Beijing and Tianjin

作　　者：耿波[1,2] 

机构地区：[1]中国传媒大学文学院 [2]审美文化研究所

出　　处：《文化遗产》2010年第2期47-55,157,共10页Cultural Heritage

基　　金：中国传媒大学高等学校校内人文社会科学研究项目“相声艺术的文化生态与非物质文化遗产保护研究”(项目编号:CUC0907)阶段性成果;2007年度北京市文化创意产业影视、动漫等研发与人才培训基地项目子课题《传统曲艺演出空间的现状调查、媒介研究及其创意策划》(项目编号:HW0838-24)阶段性成果

摘　　要：中国传统相声发展已过百年,当下京、津相声现场演出的形式主要是茶馆与小剧场演出。本文对京、津具有代表性的相声场所,其中包括北京的天桥乐茶园剧场、湖广会馆、东城区周末相声俱乐部、广茗阁(鼓楼)笑剧场,天津的天华景戏院、新名流茶馆、大金台茶馆进行了现场描述。通过问卷调查,对京津地区观众听相声的目的、方式、场所选择等问题进行考察,并指出了京、津两地相声观众的差异。在相声演出生态方面,依据田野调查与问卷调查,重点分析了京、津相声演出的文本创新性、演出氛围、表演空间以及相声文化建设与产业发展等问题,并就营造良好相声演出生态提出了一系列建议。Over a century has passed away since the traditional Chinese crosstalk initially developed. In the present,the main forms of the crosstalk in Beijing and Tianjin are the teahouse performance and small theatre performance. This paper describes the representative places of the crosstalk performance in these two cities,including Tianqiaole Teahouse,Huguang Guild Hall,Weekend Crosstalk Club in Dongcheng District,Guangming Pavilion (drum-tower) Laugh Theatre in Beijing,the Tianhuajing Theatre,New-celebrity Teahouse,Dajintai Teahouse in Tianjin,etc. With the questionnaire,we investigate what the crosstalk audience's purpose to listen is,and what their listening ways and place choices are in Beijing and Tianjin,and we indicate the differences between Beijing and Tianjin audiences. In the aspect of the crosstalk performance ecology,based on the questionnaire and fieldwork,we mainly analyzes the text innovation,performing atmosphere,performing space of the crosstalk performance of Beijing and Tianjin,the cultural construction and industrial development of the crosstalk show. Finally,we put forward series suggestions to build better crosstalk performance ecology.

关 键 词：相声 演出生态 表演空间 

分 类 号：J82[艺术—戏剧戏曲]