浅论《天上草原》的文化内涵  

On the Cultural Connotation of “The Heavenly Grassland"

作　　者：苏林娜[1] 包英格[1] 

机构地区：[1]内蒙古财经学院,内蒙古呼和浩特010051

出　　处：《内蒙古财经学院学报（综合版）》2005年第4期81-83,共3页Journal of inner Mongolia finance and economics college

摘　　要：《天上草原》虽然延续了塞夫、麦丽丝的导演风格,但是这部影片可以看作是他们对自我的突破和超越,电影艺术手段的运用更加娴熟和富于创造性,在更为深入地挖掘民族文化和人类共同文化内涵的同时,体现出耐人寻味的审美意蕴。Still with Sai Fu and Mai Lisi's directing style, the film “The Heavenly Grassland' can be regarded as a kind of breakthrough and self-exceeding for them. In this film, the artistic styles are applied more dexterous and creative. On one hand, it excavates the ethnic culture and the common connotation of human culture more deeply; On the other hand, it reflects a meaningful aesthetic sense for thoughts.

关 键 词：文化内涵 审美意蕴 

分 类 号：I20735[文学—中国文学]