关于蒙古舞的原生态风格及其记录问题  

On Problems Concerning the Primeval Style of Mongolian Dances and How to Register It

作　　者：包美荣[1] 

机构地区：[1]内蒙古大学艺术学院,内蒙古呼和浩特010010

出　　处：《内蒙古大学学报（哲学社会科学版）》2004年第4期81-85,共5页Journal of Inner Mongolia University(Philosophy and Social Sciences)

摘　　要：利用民俗学的研究方法分析蒙古舞的原生态风格,会对它的起源、精神底蕴及其审美特征等有一个概括的认识。蒙古族的历史文化造就了蒙古舞的传统风格,发展到现代社会,规范化了的原生态风格保存于蒙古舞的基本造型和各种步法中。传统的形象(写实)图谱记录法,无法将舞蹈的立体空间、几何结构、运动规律和情感因素等表现出来。而利用拉班舞谱记录法和头川昭子图谱记录法等现代西方舞蹈记录法绘制蒙古舞图表,很多疑难问题会得到满意的结果。To analyze the proecologic style of Mongolian dancing by means of folklore research would bring out a general recognition of its origin,spirit and aesthetic features. Mongolian historical culture produces the traditional style of Mongolian dancing. In the modern society,the normative proecological style is kept in the basic sculpt and the various gaits of Mongolian dancing. The traditional way of image pattern(true-life patten) can not express the solid space,geometric structure,movement rules and emotional factors. However,the western dancing recording such as Raban recording etc. to protract Mongolian dancing chart can solve many problems and get satisfactony results.

关 键 词：蒙古舞 原生态风格 拉班舞谱记录法 头川昭子记录法 

分 类 号：J722.22[艺术—舞蹈]