20世纪市民文学:“海派”传统与精神局限  

The 20th Century Citizen Literature: "Shanghai Style" Tradition and Spiritual Limitations

作　　者：寇国庆[1] 

机构地区：[1]安徽蚌埠学院文学与教育系,安徽蚌埠233000

出　　处：《玉林师范学院学报》2011年第6期62-66,共5页Journal of Yulin Normal University

摘　　要：在20世纪,以满足市民"趣味"为创作目的的"海派"文学,其精神传统在市民文学中绵延不绝,新中国成立后,在文化领域努力对之进行批判与改造,这是基于对现实文化的深刻认识,同时也是国家的政治需要。虽说改造与批判简单粗暴,然而作为近代以来中国病态社会发育出的市民阶层文化的表征,以"海派"文学为精神传统的市民文学,其精神文化上缺乏独立与批判的现代意识,有着苟且和异化的局限也是无法回避的精神局限。In the 20th century,to satisfy the citizens’ need of 'interest' was the creation purpose of 'Shanghai Style' Literature;its spiritual tradition lasted in the Citizen Literature.After the founding of new China,it went through some criticizing and transformation in the cultural field,which was based on the profound understanding of realistic culture and out of the political need of the country.Simple and crude as the transformation and criticizing is,it is worth of the efforts.As a demonstrator of the sick facade of modern Chinese social development,Citizen Literature,with the 'Shanghai Style' Literature as its spiritual tradition,lacks a sense of independence and criticism;and the limitation of 'let-go' attitude alienation is also an unavoidable spiritual limitation.

关 键 词：“海派”传统 市民文学 精神局限 批判 

分 类 号：I207[文学—中国文学]