关中—天水区域漆文化利用保护研究(上)  

Research of Chinese Lacquer Culture in Guanzhong—Tianshui District

作　　者：马金玲[1] 王尚林[2] 

机构地区：[1]西安交通大学,陕西西安710048 [2]西安生漆涂料研究所,陕西西安710061

出　　处：《中国生漆》2011年第3期23-27,共5页Journal of Chinese Lacquer

摘　　要：地处黄河流域的关中—天水区域,是中华文明的重要源头地区之一。陕南、陇南地区自古盛产生漆,关中、宝鸡(凤翔)、天水一线有悠久的漆器生产历史。在长期的历史发展进程中,已形成具有地域特色的漆文化。周秦汉唐在这里都留下了漆文化的丰富遗存。近现代以来,关中地区的填漆漆器、骨石镶嵌漆器,宝鸡凤翔的罩金漆器、甘肃天水的雕填漆的发展,形成了具有浓郁地域色彩的关中—天水漆艺文化。1990年之后,漆器制造在关中地区基本停滞,在凤翔地区发展缓慢,如今只有甘肃天水地区顽强生存下来,并在西北地区独领风骚。本文分析了形成这一现状的四个因素,并提出了解决的思路。Guanzhong—Tianshui district, located in the Yellow River Basin, is one of the important sources of Chinese culture. The south of Shaanxi province and Gansu province are rich in Chinese lacquer since ancient times, and the line Guanzhong-Baoji-Tianshui has a long history of producing lacquerware. In the long history of development, lacquer culture with district characteristics formed. Zhou, Qin, Han, Tang, the four dynasties all left rich lacquer culture here. In modern times, the 'tianqi' lacquerwares and 'gushixiangqian' lacquerwares in Guanzhong district, 'zhanojin' lacquerware in Baoji Fengxiang, 'tiandiaoqi' development in Gansu Tianshui, lead to the formation of Guanzhong-Tianshui lacquer culture,which has great local features. After the year 1990, the production of lacquerware stoped in Guanzhong district, developed slowly in Fengxiang district, now survived only in Gansu Tianshui district, which performed well in the northwest area alone. The passage analyse the four factors that leaded to this condition and give solutions to solve this problem.

关 键 词：关中—天水区域 漆文化 

分 类 号：K876.7[历史地理—考古学及博物馆学] J527[历史地理—历史学]