读图时代的中国人物画  

The Chinese figure painting in the age of interpreting the images

作　　者：范瑞芳[1] 梁岩[1] 

机构地区：[1]集宁师范学院,内蒙古乌兰察布012000

出　　处：《南昌教育学院学报》2012年第3期30-,32,共2页Journal of Nanchang College of Education

摘　　要：我国美术教育主要是以现实主义为指导的美术教育体系。它注重再现,重视写生,在我国美术院校写生成为学生学习绘画的主要方式。在读图时代,随着科学技术的高度发展,数字产品和网络虚拟世界的发展,让人们感受和认识外面世界的方式越来越多,人们的生活习惯以及深入生活的观察方式"写生"被冷落被遗忘,"艺术来源与生活"的信念也动摇了。他们机械地、冷漠地、没有热情地再现客观世界的景象,结果是艺术作品没有生活气息距离生活本质很远。The art education in our country is the art education system mainly taking reality as the guide.It focuses on reproducing and sketches,in China's Art College sketch become the main way of painting.In the age of interpreting the images,along with the high development of science and technology,the development of digital products and network virtual world,the way of people to experience and understand the outside world is increasing,people's living habits and 'sketch'are languished forgotten,the faith of 'art comes from life 'is shaken.They reproduce the objective world scene mechanically,coldly,without enthusiasm,the results are works of art without a breath of life and from the essence of life.

关 键 词：读图时代 绘画 中国画 写生 

分 类 号：J222[艺术—美术]